Revision History for Sous La Peau du Loup
Revision 17 details:
Sous La Peau du Loup

- Creator: Choi Juhyun
- Publisher: Editions Cambrouakis
- Published on: 2008-10-06
- ISBN: 2916589236
About This Book
Another book by a talented young cartoonist, published by Editions Cambourakis. Choi Juhyun is a South Korean artist, where her elliptic dreamlike book is set. Her style is a little reminiscent of Anna Sommer’s brushier work, but more liquid and luminous. No panel borders, but easy enough to infer where the panels are.
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Complete translation
Page 7
Panel 3
You are not allowed to enter. Your book is rotten.
Panel 4
What?! What’s with my book? And anyway, my book’s not rotten!
Page 8
Panel 1
I’m going to blow up this stupid restaurant!
Panel 3
What’s happened?
Panel 4
They’ve banned me from the restaurant.
Page 9
Panel 2
No, no, I’ve already told you…
Panel 3
Duck with pineapple.
Panel 4
Oh, pardon me. This way, please.
Page 10
Panel 1
Asshole!
Page 11
Page 12
Page 13
Panel 2
Oh, a slot-machine!
Panel 4
Incredible!
Page 14
Panel 1
I must be a natural at this game!
Panel 2
Open the drawer!
Panel 3
Hello!
Panel 4
Would you like to come to our house? We’re not allowed out.
Page 15
Panel 1
It’s very nice inside!
Panel 2
Follow us!
Panel 3
Welcome to our house!
Panel 4
You are a giant here!
Panel 5
Why do you live here?
Page 16
Panel 1
In the beginning, there were two eggs who were born all alone. They were two unlucky things.
Panel 2
People tried to get rid of them but they came back each time.
Panel 3
They understood that this place needed two living beings. Then to clean up they put us in place of the eggs.
Panel 4
This place is connected to all the slot-machines in the drawers. They serve to fund us.
Page 17
Panel 1
Can I sit on your knees?
Of course.
Panel 2
I love big people. They remind me of mother.
Panel 3
You have lessons? That what you get up to here?
Panel 4
Yes, our teachers are all stars, singers, actors. It’s really cool.
Panel 5
You know, it’s very bad to stay in such a small place without sunlight.
Vitamin D, it’s important to make you grow.
Panel 6
But, here, we have celebrity teachers and all…
No, you mustn’t say that.
Page 18
Panel 1
You want to see our dance?
Panel 2
I love yoooouu with all my heart….
Panel 3
la la la…
Panel 5
I have to go.
Already.
Panel 6
You’ll come back to see us?
Yes.
Page 19
Panel 1
I’m never coming back.
Page 20
[Indecipherable!]
Page 21
Panel 2
Where are we?
I think we’ve been kidnapped.
It’s not true!
Page 22
Panel 1
There’s plenty of good tea here.
Panel 2
Would you like tea?
Panel 3
Why have they kidnapped us?
In my opinion it’s not for the money?
For what then?
Panel 4
We are all young women…
Panel 5
You’re saying that…
It’s obvious, it’s a rich pervert….
Page 23
Panel 1
It’s nice, this room.
It’s me that got this one first!
Don’t forget to take your pyjamas.
Panel 2
If you like, we can share a bedroom. I’m afraid to be all alone.
Not to worry, I’m happy.
Panel 4
It’s impossible to get out of here..
Page 24
Panel 1
I’ve brought you some cigarettes and acid.
Panel 2
Don’t hesitate to ask me if you want anything.
I’m here for your comfort.
Panel 3
I’ve seen him somewhere.
Panel 4
I saw that guy on a wanted poster…. He was linked to a sect that sacrificed young girls.
Then, they kidnapped us to kill us.
Page 25
Panel 1
What can we do?
They’re going to kill us…
Mama…
Panel 2
Is it okay if I stay with you? I can’t stand to see the girls crying.
Panel 4
Can you turn over?
We are too crowded here! No
We look like a poor large family.
Don’t fall on me.
Ha ha.
I feel better with you.
Page 26
Panel 1
Who’s loses hair like that?
You have been eating biscuits here?
Panel 2
It’s not necessary to wash so thoroughly.
Panel 3
It’s for your hygiene.
Panel 4
You saw? He has an eye on his 6th finger to watch us.
Ah, that’s why he cleans by hand in all the corners.
Page 27
Panel 1
Is that a woman or a man.
Panel 2
We’re going to go out for a conference.
We are not coming back here. Take your things.
Panel 3
Put those down there and go away.
Yes, master.
Panel 4
I brough some dresses. Put them on.
Panel 5
I’ve got fat since…
Hup – hold your breath. [Maybe missed something there]
It’s impossible to go out like this. This dress doesn’t go at all.
But no! You are very pretty.
Page 28
Panel 2
I’m happy to be in the fresh air! What it is to go out!
Panel 3
Excuse me. I’m looking for my sons. Have you seen these boys?
Page 29
Panel 1
You lost them round here?
Panel 2
That means something to you?
But, they’re very old, your sons.
Panel 3
I just had to find them, I did not know that they were my sons.
We are sorry, we can’t help you.
Perhaps you can go to the centre for lost children.
Panel 5
But she is very young to be their mother, no?
I think that she’s a little lost.
Page 30
Panel 1
But where are we?
Panel 2
We’ve lost them. Where are they? What do we do?
Panel 3
Hey! Kidnapped girls!
Page 31
Panel 1
Hey ho!
There they are!
Panel 2
Oh, I thought that we’d never see you again.
We were panicking.
Come on, let’s go. We’re going to miss the train.
Panel 3
Why didn’t you escape?
Oh damn. I didn’t even think.
Page 32
Panel 1
It’s through there, go in.
Panel 2
Ladies and gentlemen. Welcome to the general assembly of the association of “Our Friends The Cats”.
Panel 3
After this conference, they are going to ritually decapitate us.
Page 33
Panel 3
I hope that someone sees this message.
We are prisoners and there’s nothing we can do. Save us!
Page 34
I am a prisoner.
There’s nothing I can do.
Save me.
Page 35
Page 36
Panel 1
That makes 5 days I’ve waited for the bus.
Panel 2
I am imprisoned in the village.
Panel 3
There’s no-one in the streets.
Page 37
Panel 3
Ah, there’s someone!
Panel 5
Hello.
Page 38
Panel 1
Excuse me.
Panel 2
Are you aware that there’s no buses and no people?
Yes.
Panel 3
Actually, I need someone to try on this jacket.
Okay.
Page 39
Panel 2
Ow!
Panel 3
I can’t move. As soon as I move, it pricks me.
Panel 4
Pardon me. There’s a pin left.
Panel 5
That’s bad.
Panel 6
It’s a little big for me.
Page 40
Panel 1
Do you sleep well?
Panel 2
Can I measure you?
Page 41
Panel 1
I’m going to go.
Panel 2
Tailor
Goodbye.
Page 42
Page 43
Panel 2
Ahh!
Panel 3
Ahh-!
Aah!
Panel 4
Sorry.
We didn”t mean to scare you.
It’s true.
Panel 5
But what are you doing in my bedroom?
Page 44
Panel 1
Get out!!
Panel 2
Ah la la…
What a character!
Why is she shouting like that?
Panel 3
I’m scared.
Me too.
We are neighbours after all.
Page 45
Panel 2
Ow!
Panel 5
I’m exhausted.
Page 46
Panel 2
Ah!
Panel 3
Ahh!
Hého, it’s cold.
Panel 6
Big sister, finally you’re here!
Page 47
Panel 1
Don’t go. Let’s stay together.
Panel 3
It’s not bad.
Panel 4
What’s more, the tailor is very friendly!
Panel 5
He’s prepared one for you. He knows your size.
Page 48
Page 49
Panel 3
Tic tic tic!
Panel 4
Excuse me…
Tic tic.
Panel 5
That noise is driving me mad.
Page 50
Panel 1
If we were to dance? That would stop you from biting them.
Panel 2
You have a very soft hand for a military man.
Panel 5
I must leave.
Why?
Page 51
Panel 4
Oh, he’s left his hand.
Page 52
Panel 3
You recognise me?
Panel 4
Say something to me.
Panel 5
You can’t hear me?
Page 53
Panel 1
Oh!
Panel 2
Don’t get excited..
Tic tic
Panel 3
I know your habits.
Tic tic tic
Panel 4
Your nails look like moons.
Page 54
Panel 4
Yes it’s me
You recognise me?
Panel 5
You want me to read your palm?
Let us take a look…
Panel 6
You will have a brilliant career. ...and there are …2 women.
Page 55
Panel 1
I hope that I will be the second.
Panel 3
Bam! Bam!
Who is it?
Panel 5
You’ve been reported. You are an outlaw.
Panel 6
Search everywhere!
Page 56
Panel 1
...How come this hand is in your house?
Panel 2
It’s forbidden to possess a hand in your house.
Panel 3
Give it to me.
Panel 4
What’s more, it’s the hand of a soldier. It’s even more serious: it’s an abuse of good citizenship.
Panel 5
They’re all alike.
It’s going to be better tomorrow. Sleep.
Panel 6
Look, it’s like a face.
What’s done is done. [colloquail]
Page 57
Panel 4
Oh. It’s disgusting!
Panel 6
Do you remember me?
Page 58
Panel 3
Tic tic
Panel 4
Calm yourself
Panel 5
Tic tic
Panel 6
Excuse me. I must leave.
Page 59
Panel 2
Don’t go.
Panel 3
Don’t make a scene! I don’t know you!
Panel 4
We only danced one single time.
Page 60
Page 61
Page 62
Page 63
You have dropped a hand.
...No, it isn’t mine.
Page 64
But I saw it fall out of your bag.
Page 65
Oh, no. The repression has started!
[check “repression”]
Page 66
Page 67
Panel 3
A theatre?
Panel 4
How would I be able to live quietly if I know our people suffer?
Page 68
Panel 1
Next Sunday, it’s the uprising.
Panel 2
Yunok, what are you doing there?
Mother?
Panel 3
Come on, let’s go.
Sorry, comrades.
Page 69
Panel 1
Hi.
Panel 2
You want to join in the demonstration with us?
Panel 3
But I have short hair.
Panel 4
It’s not a problem.
Panel 5
At the beginning of the century, there were lots of women who did their hair in a modern style.
Page 70
Panel 1
How can I ignore the groans and the spilt blood of my brothers and sisters?
Let us rise up!
If we don’t change the course of history, there will be no way back.
How can we look future generations in the face, if we don’t accept our responsibilities?
Panel 2
Yunok, you are here again? The director called me. You aren’t allowed to modify the script to your fancy.
You are risking the reputation of our family. Come on, we’re going home.
Page 71
Panel 1
Long live freedom!
Long live liberty!
Panel 5
I quite like the last scene.
Yes, especially this time, I was really into it.
Page 72
Panel 1
Oh, your breats are growing!?
Little voyeur!
She’s a bitch, yunok’s mother.
I hope that she isn’t going to make the same fuss each time.
Panel 3
It’s a new prop, to make it more realistic.
I liked it better when we kept it more minimalist.
Page 73
Panel 1
Aren’t you aware of the cries and tears of our people?
History is calling us.
Let us courageously offer our young red hearts.
Panel 2
Don’t you find she goes a bit over the top?
Yeah, a bit.
Panel 3
Yunok, that’s enough. You are coming back with me. I’ve had enough.
No, mother, I’m staying with my comrades.
Panel 4
I don’t belong to you! I’m not just your daughter, I am a daughter of the Earth.
Page 74
I said: you are coming back with me! Don’t you understand what I’m saying?
Page 75
Panel 2
We are going to avenge the blood of our comrades, spilt by the fascists.
Panel 3
On their corpses, let bloom the spirit of our people.
Bring us our leader!
Page 76
Panel 2
Oh they’re amrmed!
Are they real pistols?
Page 77
Panel 1
Lower your weapons.
Panel 2
Don’t listen to him!
Panel 3
We’ll lower them at the same time.
Ok.
We are too close.
If we start to fire, we will all die.
Panel 4
One. Two. But… Lower them!
You first!
Page 78
Page 79
Panel 2
Don’t fire!
It’s just a piece of theatre. We are just actors!
Panel 3
Don’t fire.
Page 80
Panel 2
But these are real!
Ordered by the director.
Panel 3
Where is the emergency exit?!
Page 81
Panel 1
Stop talking…
Panel 2
Help us, we’re killing each other!
Panel 4
Oh, sorry, you’re on stage?
Page 82
Page 83
I staged this piece because, for me, it is a symbol of reconciliation. It speaks of peace, of forgiving and forgetting, in order that we can finally look toward the future.
Bang! Bang! Bang!
Page 84
Bang! Bang!
Page 85
Stop, those are real bullets!
Page 86
Bang!
Page 87
Panel 4
5 o’clock?! Again!
Page 88
Panel 2
It’s you that wakes me every morning?
Panel 4
You saw these soldiers?
Panel 5
Don’t worry we haven’t done anything illegal.
Page 89
Panel 1
No doubt they’re looking for the thief, the one that stole the soldier’s hand.
Panel 2
Knock knock
Who is it?
Panel 3
As of now you are part of our empire.
Panel 4
What’s going to happen?
Page 90
Panel 1
We have to make love.
They’re going to see us.
Panel 2
No, they won’t see us. They are paralysed with fear.
Panel 3
Take these uniforms. Women one side, men the other.
Panel 5
Live or die, we will see each other here in 8 years.
Page 91
Panel 2
You are property of the state.
Panel 4
The girl who didn’t want to follow orders has been punished.
Panel 5
Our bodies only serve to receive suffering and humiliation.
Page 92
Panel 1
Why don’t I kill myself?
I must look after myself. I have a rendez-vous.
Panel 2
Thanks for the first aid.
Panel 4
My bandage has relieved you?
Yes.
Panel 5
Your bruises have disappeared…
Well, I don’t need them anymore.
Panel 6
The girl who was beaten has killed herself.
In the men’s camp I saw their heads trailed on the ground like pumpkins.
Page 93
Panel 2
Turn about!
Panel 3
Do you see me?
Panel 4
There’s only a handful of them!
Panel 5
We are a thousand times more numerous than them! Why wait docilely for our turn? Why submit to this abuse?
Page 94
Panel 1
All men with bare chests, fall in at the side of the hangar.
Panel 2
He’s not that tall. [check this]
Wake me up when this scene is over.
Panel 3
Quick, take this. Otherwise they will kill you.
Panel 4
And you?
The women are being moved North.
Page 95
Panel 2
Hello
Hello
Hi
Panel 3
You are all pretty. Are you getting married?
Panel 4
How are you?
I am happy to see all you.
Haha you haven’t heard?
The war is finished.
Panel 5
Is that true? What are you going to do?
You can go to the rendez-vous with your fiancée.
I must find a man.
It has to be her who get married first, she is in a rush.
I hope that we see each other again.
Page 96
Panel 2
Finally I’m going to be able to see you.
Panel 4
It’s bizarre… He’s punctual, normally.
Panel 5
Perhaps he’s already inside.
Page 97
Panel 1
Ah, you are dead.
Panel 2
I know you are here.
Panel 3
The pumpkin grows on your blood and your spirit.
Panel 4
Give him to me.
Page 98
Panel 1
Oh, I’m looking for my fiancée.
Panel 2
I just want to accelerate the cycle.
Panel 3
Ah!
Page 99
Panel 1
Stop!
Panel 2
Sorry, madam. I thought you were someone else.
Panel 4
J’en ai mis partout. I have to change.
Page 100
[ll:w]
You always get up at 5, just as we did in the camp.
It’s my fiancée. I must see him.
Panel 1
Oh, there’s no door.
Page 101
Panel 3
It’s time.
Panel 4
Do you see me?
Panel 5
It’s me! I’m here.
Page 102
Panel 1
The walk’s over.
Back to your cell.
Panel 2
There’s someone else there?
No nothing, the wall.
Panel 3
But I saw something…
Panel 4
Poor old guy.
He’s been in there since before the end of the war.
Panel 5
He’s nearly blind.
What’s he got to look at?
Panel 6
I’m here.
Let me out.
Page 103
Page 104
Help me. I can’t get out of here.
Is there someone there?
Page 105
Panel 1
I’m hear! You can hear me?
Yes.
Panel 2
Let me out. I’m here!
Page 106
Panel 1
Big sister…
Panel 4
You dance like a butterfly. Come closer.
Page 107
Panel 1
No. Please, don’t kiss him, I beg you.
Panel 2
Liar!
Panel 3
I always dreamed of seeing you more closely.
Panel 5
Turn out the light. I’m afraid of prying eyes intruding on our intimacy.
Page 108
Panel 1
But who would dare?
The light makes me feel uneasy.
Panel 2
If you insist… Turn out the light!
Panel 3
But what are you doing here? You should wait for me in the dressing room.
Panel 4
Oh big sister.
I heard a voice behind the wall who begged me to let him out.
Page 109
Panel 1
Don’t you want to stop?
Oh, don’t start that again!
Panel 2
But it’s horrible, disgusting!
Panel 3
It’s my work. Thanks to that, I paid for your piano lessons.
Panel 4
You know, you aren’t obliged to come.
Panel 5
What’s behind the dressing room?
Page 110
There’s nothing there. Don’t stay all alone in the dressing room.
Page 111
Panel 2
and I get up to brush my teeth.
Panel 3
I have the impression of having the floury taste of a butterfly.
Panel 4
I can still feel the wings moving in my mouth.
Panel 5
Oh, a dream of butterflies means that you have a lover.
Panel 6
A lover? It’s been 2 years since I heard any news of him.
Page 112
Panel 1
Isn’t that story all over?
How melodramatic!
But he promised me…
Panel 2
The king calls me all the time.
Page 113
Panel 1
Do you want to turn the light out?
Panel 2
No leave it on. I want someone to see us.
Panel 3
We accept more fully when we see.
Page 114
Panel 1
Sir!
Go on! Go, go!
Panel 2
Sir!
Panel 3
Ahh! You scared me.
Panel 4
What are you doing here?
Panel 5
I play lots of tricks. There for example, I sent a mouse.
Panel 6
In this business, you have to be very discreet.
I saw a real mouse.
Page 115
Panel 1
It’s completely normal that you saw a real one.
In any case, what happens on stage is a contract with the audience.
Panel 2
And you, what are you doing?
Panel 3
I’m waiting for my sister to finish her seduction.
Panel 4
That’s a good role. Me, in my hours off, I’m a yoga teacher.
Thanks to my suppleness, I can be nearly invisible on stage.
Panel 5
Oh, hello general!
Panel 6
Don’t make noise in the wings!
Page 116
Panel 1
Sorry. There you go.
Panel 2
Oof, he’s not too bright, that one.
What are you called?
Panel 3
No, no.
My existence is secret. You must not speak of me.
Panel 4
Promise me.
Panel 5
Promise.
Panel 6
Seeya! To next time!
Page 117
Panel 2
Look, a butterfly!
Panel 3
He was born and he died.
His wings move again.
Panel 4
His season is over.
Yes, we cannot turn back the seasons.
Panel 5
Is we were in the Southern hemisphere, we would be in Springtime.
Panel 6
On the other side of the world time goes backwards.
Page 118
Panel 4
No, don’t open it!
Panel 5
Don’t keep on. You’re endangering yourself. Just go!
Page 119
Panel 3
My pooe king. You suffer for your country.
Show them that your time isn’t yet over.
Panel 4
Kill your son.
Page 120
Panel 4
A mask of the king? I didn’t know that it was a masked theatre..
Page 121
Panel 1
He’s there, the king.
Panel 5
A message.
Panel 6
Fire on the chest: the traitors that wish your death are inside.
Page 122
Panel 1
Send me an archer!
Panel 2
Fire on the chest.
Panel 5
Someone disguised as the king…
Panel 6
Hey ho!
Page 123
Panel 1
Since when did you become one of the spectators?
But… I don’t know how to play comedy.
Panel 2
How can I dream of my comfort? There’s no more justice in our land. The groaning of our people resonates.
Panel 3
Miju? You recognise me? We were at school together.
Panel 4
It’s urgent!
Panel 5
But, what play are you in?
Panel 6
She really looks like Miju.
Page 124
Panel 1
Where have you hidden her?
Ah!
Panel 2
Excuse me
Panel 3
What’s going on here?
Panel 4
If the king hear’s about this, he will have your heads cut off!
Bring me the king’s son, instead of chasing after girls.
Panel 5
As you order.
We are sincerely sorry.
Page 125
Page 126
Panel 2
I believed that you were dead. You know, I waited a long time for you.
Panel 3
ABBB.. BB.
Panel 4
You cannot speak?
Panel 5
Wait, I must check. You will let me?
Page 127
Panel 1
It’s really you..
Why didn’t you come?.. I waited for you…
Panel 3
It doesn’t matter. You are here now. That’s all that counts.
Panel 4
You mustn’t stay here. Someone could see you.
Page 128
Panel 1
The world isn’t the same as it was before, be careful.
Go, leave.
Panel 3
Hide yourself well.
Page 129
Panel 1
You’ve stopped complaining. That’s very good.
Panel 2
It’ll be good if you play piano for the seduction scene.
Page 130
Panel 1
You would say that I’m going to a funeral.
Panel 2
But no. It’s chic,
Panel 3
What’s that you’re taking?
It’s so I have nice breath.
Panel 4
I keep it in my mouth and I chew it when I embrace him.
Page 131
Panel 1
I am very pleased that you’re accompanying me in this scene.
Panel 2
Concentrate, and don’t turn around.
Page 132
Panel 3
When should I stop? No-one’s told me anything…
Panel 4
It’s very quiet…
Page 133
Panel 2
Let me out from here.
Panel 3
Oh, there’s blood! Are you hurt?
No it’s my wife!
Help her.
Panel 4
I think they’ve stopped firing.
Hold my hand.
Panel 5
It’s you?
Page 134
Panel 1
You have a wife?
Who are you?
Panel 2
You know me?
Who are you?
Panel 3
Poison!
Page 135
Panel 1
You dying sister wants to talk to you.
What?
Panel 3
Oh! No! It’s not true!
Wait, wait, if you go on stage, you have to play your part.
Page 136
Panel 1
But… I don’t know the script.
Panel 2
If you like, I can help you.
Discretely.
Panel 3
Oh, my poor sister.
Panel 4
Oh my lord! Why have you done this?
Panel 5
No, why have you done this?
Page 137
Panel 3
Oh, it’s your real face…
Panel 5
What are you doing? Keep playing your role, everyone’s watching.
Page 138
Panel 2
My poor thing, you have fallen like a butterfly. You didn’t know that you’re season was going to end.
Panel 3
My poor thing. You have fallen like a butterfly, I knew that it would end like this.
Page 139
Panel 1
Psst! Go to Brazil!
Panel 2
He has betrayed me. He has another woman.
Page 140
Page 141
Page 142
Page 143
A one-way ticket to Brazil.
Page 144
Panel 1
Excuse me. What train must I take to get to Brazil?
A train for Brazil?
Panel 2
You have to go by plane. There is no train for Brazil.
Panel 3
But… look.
Ah! Perhaps that’s changed…
Panel 4
We have been held captive for a very long time. We aren’t very up to date.
We’re sorry.
Page 145
Panel 1
Thank you very much. Goodbye!
Page 146
Panel 1
What?
I noticed that you have a bit of an accent.
Where are you going?
Panel 2
Actually, we’re trying to find some trace of our mother.
Your mother?
Panel 3
Yes, we never knew our mother.
Panel 4
We were brought up by our grand-father.
Page 147
Panel 1
He never wanted to talk about our mother.
Pappy, our mother, where is she?
I told you already, she is dead.
Panel 2
What was she like? How did she look?
Panel 3
She was a monkey.
Panel 4
He had a really sad air in telling us our mother was a monkey.
Page 148
Page 149
Page 150
Panel 2
Look, there she is
Panel 5
We didn’t doubt for a single instant that we were the sons of a monkey.
Panel 6
After the death of our grandfather, we discovered the truth
Page 151
Panel 1
Our grandfather was a man of authority, he was opposed to the marriage of our parents.
Panel 2
They ran far away and they had us…
Panel 3
Our grandfaterh sent some men to split them up.
Panel 4
She was taken to a country far away and my father was imprisoned in a cabin in the grounds of his father
Panel 5
And your father, then. What became of him?
Page 152
Panel 1
I was just told that we was very ill…
Panel 2
I was scared to go to that cabin, right in the middle of the forest.
Panel 3
He didn’t recognize anyone anymore. He hid himself like a wounded animal.
Page 153
Panel 1
That man was my reflection, older and suffering and having lost his spirit.
Panel 2
He frightened me and attracted me at the same time.
Panel 3
In adolescence, each time that I looked in a mirror, my image was replaced by his.
Page 154
Panel 1
I have a bizarre story of that cabin.
One time I went to the cabin, as if someone was calling me there.
Panel 3
I saw my father and a woman. I was sure it was my family.
Page 155
Panel 1
No, no, you must be mixing up your memories. What you saw, that was the family of the woodsman. We let out that cabin after the death of our father.
But no, it was before he died, I’m sure.
Panel 2
In any case, the forest makes us see what we want. Me, I thought I saw my mother there. I saw the silhouette of a monkey and I was certain it was her.
Panel 3
It desperately wanted to catch the moon.
Panel 4
It saw the reflection of the moon in the lake.
Page 156
Panel 2
It tried to cactch it again and again. Throughout this journey, the image of the monkey hasn’t left me. We follow after our mother, like the monkey after the moon.
Panel 3
I feel the water run between my fingers.
Have you found any sign of your mother?
Page 157
Panel 1
Wait, I’ll show you something.
Panel 2
This theatre programme. It’s the only picture of her that we’ve found.
Panel 3
That head is familiar…
It’s normal, in that play the figure of the dancer is very conventional and archetypal: the costume, the make-up and the hair are always the same. Looking at that photo, you cannot tell what my mother really looked like.
Panel 4
‘The letter carried by a mouse’?! My sister played in that too!
She doesn’t anymore?
Page 158
Panel 1
No, she committed suicide on stage. During the scene of the embrace with the king, she poisoned him, then she poisoned herself in turn.
Panel 2
With the mouth cachous?
[“cachous” is a weird translationer, but “breath mint” sounds stupid]
How did you know that?
It’s the original version.
Panel 3
When she hears the revolution is heading for the palace, she poisons herself, and dances as she dies. It’s a powerful scene.
But, no… There isn’t a revolution in that play. She kills him because he discovers her affair with his son. She sacrifices herself for her true love.
Page 159
Panel 1
No, no, it’s her sister who has a relationship with the king’s son, it’s him who leads the revolt.
The two of them hide in the chest, to assassinate the king.
The revolt isn’t in this play, but in another by the same author. It is the dancer who leaves with the king’s son. It’s the first scene of that play.
Panel 2
Is there a character of the sister?
Panel 3
I’m sure there is, I’ve seen it many times.
Panel 4
What’s more, the people in the chest aren’t the son and the sister but a monk and his lover.
The tragedy of this play is that she doesn’t know that it’s she herself that’s dying in the chest.
Page 160
Panel 2
You must have seen a censored version. Me, I saw the original version very recently.
Panel 3
Good, okay, fine. You’re right.
Come on, don’t get angry with me!
Page 161
Panel 1
You’ve also seen it many time, you can tell us which of us two is right?
O-ho! You haven’t given up!
It’s strange, but I never saw it in it’s entirety. I cannot say, even though I spent years in the wings.
Panel 2
Ha ha, you’re saying that so you don’t offend either of us.
Panel 3
But no. I’m not saying that out of politeness, I assure you that I’ve only seen it in little bits.
Panel 4
Ladies and gentlemen, our train is arriving in Wanda Station.
Page 162
Panel 1
We get off here.
Oh, already?
Panel 2
It’s strange, how we can become so attached to strangers.
Don’t cry. We’ll meet again, who knows? Even if we go in opposite directions.
Panel 3
Panel 4
Goodbye!
Page 163
Panel 1
Panel 2
Oh, they forgot their programme.
Panel 3
The letter carried by a mouse
17-18 May – 20 June
Palace Theatre
Beauxcheveux Town
Panel 4
Beauxcheveux Town, where is that?
Page 164
Panel 1
Our train is arriving at the station of Beauxcheveux.
Panel 2
Beauxcheveux…
Page 165
Palace Theatre
Page 166
Page 167
Thank you.
Page 168
Panel 5
TOC TOC
I’m coming!
Page 169
Panel 1
Good evening.
Good evening. I got your flowers. Thank you.
Page 170
Panel 1
You don’t want to stop performing this play?
Since I arrived her, I did everything to get this role. I cannot abandon it.
Panel 2
It embarasses me to see you embrace another man.
Why don’t you change the subject?
You’ve already said that.
Page 171
Panel 1
Good evening.
Oh, good evening.
Panel 2
Let me introduce my son.
Pleased to meet you.
Pleased to meet you.
Page 172
Page 173
Page 174
Someone’s following me…
Page 175
Oh, he’s not attacking me?!
Page 176
Panel 3
Hello.
Hello, Hiyoung, a wolf is following me.
Panel 4
He’s following my footsteps.
Page 177
Panel 1
I have a wolfskin.
Panel 2
Get on this sled.
Page 178
Panel 2
Your wolf is suspicious. I demand to bite it to verify it.
Panel 3
Okay, but you have no right to stop us passing.
That is true.
Panel 4
Wake up, it’s me.
Panel 5
Answer me. I know that you are there.
Page 179
Panel 1
That’s enough. You are damaging my wolf.
Panel 3
Don’t let your tears fall, that attracts him.
Panel 4
After this tunnel it’s the village.
Page 180
Panel 1
Turn on this tap for me.
Panel 2
I have a terrible thirst.
Panel 4
No, sorry, I’m not turning it on.
Panel 5
You don’t have to survive. You are already contaminated.
Panel 6
This is the edge of your territory.
Page 181
Panel 1
Finally, we’ve arrived. He is still watching us.
Panel 2
It’s okay, you can get out.
Panel 3
Let’s go.
Page 182
But, how do we know each other?
Panel 1
I don’t remember anymore.
Panel 2
Ah! I recall… now.
Page 183
Panel 2
He was my brother and my love.
Panel 5
You let my brother die!
Page 184
Panel 2
Oh, Hiyoung, what has happened? How many times I told you to pay attention on your motorbike?
Panel 3
It’s okay, it’s no big deal.
